Wednesday, March 26, 2008

Profiling: Well, Maybe It Works

I recently read several books by John Douglas (with Mark Olshaker): Anatomy of Motive, Journey Into Darkness, etc. John Douglas worked for the FBI and was one of the guys who started the whole profiling business.

To be clear, this type of profiling is about categorizing people psychologically. This is not "Muslim extremists claim credit for a terrorist act, therefore we should look for Muslim extremists" profiling. I have no problem with the latter type of profiling. I don't even call it profiling; I call it commonsense.

In comparison, the kind of profiling John Douglas writes about is where a crime with no discernible suspect is attached to a specific type of criminal; one discovers the type of criminal by looking at the psychology of the crime itself.

I have mixed feelings about this type of profiling. I love reading the books, and I'm a big fan of the first season of Criminal Minds (it got too yucky in season 2 for my tastes). Still, the "one random bit = conclusion" angle seems rather hit-and-miss, like Sherlock Holmes (whom I also admire) saying to Watson, "Ah, I know you walked here because of the mud splashed on your boots." Don't you always half-expect Watson to say, "Actually, I took a cab; a passing cart splashed mud on me"?

Here's my personal theory concerning John Douglas. I think he was/is (he's retired) the type of guy who could go into a crime scene and see what elements belonged to an ongoing investigation and what didn't. Through experience and pure talent, he could exclude the unimportant information and focus on the important information. He could see the forests and the trees but never get distracted by either.

The whole profiling conundrum arose when he decided that his ability was a science, not a gift. So he, and a bunch of other people, created these nifty categories and clear-cut applicable definitions, and I'm not just sure that can be done. (To be fair, Douglas does say over and over, "Don't be misled by superficial applications," but he doesn't seem to realize that not being misled by superficial applications has more to do with the nature of the man rather than the beast.)

I think Douglas' ability is legitimate. That is, I'm perfectly okay with him testifying in a jury trial: he has the expertise, the experience; he knows where-of he speaks. But I wouldn't let just anyone with profiler training testified. And I wouldn't let Douglas testify about anything outside his expertise.

I say this because although Douglas makes insightful observations about serial killers, including Jack the Ripper, in his books, his comments about "ordinary" criminals are surprisingly blah. Although he accepts Lizzie Borden's guilt, he insists on perceiving her in serial killer terms. I think Lizzie Borden was the original all-American/home-spun/no-frills crime-of-greed chick. Looking at her in other terms leads to all that silly "blacking-out" and fugue-state stuff. Not very helpful.

Douglas is right about Jack the Ripper (no, it wasn't the Duke of York) which means Douglas is good in his speciality. He can cut through the crap when it comes to what he knows.

I think the desire to generalize from the speciality--create a science out of one man's ability--is a desire that surfaces beyond law enforcement. You get a manager who is good at seeing the forest for the trees, good at pinpointing problems, good at separating the wheat (useful suggestions) from the chaff (stupid, wasteful solutions), and there's this "Hey, how do we duplicate this, so every manager is as good?" reaction.

And I'm not sure you can.

That is, you would probably duplicate techniques with someone who already gets "it," "it" being the talent or perception or whatever, but you can't really teach it to people who don't. It's like trying to teach irony to people who don't get irony or trying to teach conceptual thinking to people who think concretely (all you end up with is a bunch of people who want to make rules about using the "spirit of the law."). It's like (major segue into politics here), Democrats trying to win elections by duplicating Republicans and coming over kind of flat.

You can't duplicate people if you don't understand where their hearts lie.

BOOKS

Monday, March 10, 2008

High School Xander

I've been rewatching the second season of Buffy. Like many people, I've seen plenty of Buffy; I've developed opinions regarding Angel, Spike, Willow, Giles, Buffy, each season, the excellence of Principal Snider, the humor of Joss Whedon, yadda yadda yadda.

However, other than a very decided opinion on the stupidity of Xander's non-marriage to Anya (the writers' fault, not the characters), I haven't spent much time thinking about early Xander or High School Xander.

Watching Season 2, I've come to appreciate all over again how well-written and funny the show is. I've also come to appreciate Xander's character and, naturally, Nicholas Brendon's portrayal of Xander.

Joss Whedon has said somewhere that Xander is basically "Joss in high school," only (quoth Joss, not me) much better looking. Nicholas Brendon isn't really my type (I prefer rugged actors like Robin Sachs of Ethan Rayne's fame). Still, he is cute, and yet, and here is where we get to Nicholas Brendon's awesome acting, he manages to sell the whole I'm-a-geeky-unpopular-kid-who-uses-humor-as-a-defense-mechanism persona.

When you consider how much Seasons 1-3 of Buffy rely on faux high schoolers, the success of those seasons is remarkable. I believe in the teenness of Willow, Buffy, and Xander in a way I never believe in the teenness of Smallville's cast. Nicholas Brendon's acting is part of the reason. He captured the essence of 16-year-old guy; he used whatever background/memory/experience/observation he had to give us the mannerisms and emotional responses of a male teenager.

To return to Xander the character, the success of Xander the character rests, I believe, on Xander's humanness. Xander is fundamentally good, but he isn't heroic-rush-to-the-rescue-and-look-soulful good. He's just average guy good, real life good. Even in "Inca Mummy Girl" where he gets to play the romantic hero, he does it in a very human, 16-year-old boy way. He shares Ho Hos! He tells silly jokes! He takes Inca Mummy Girl to a dance!

Xander is the guy who is brave in spite of being freaked. He is the guy who does the right thing eventually. One of the most mature/human things Xander ever says is after he returns from his hyena/pack phase. To Giles he says: "Shoot me. Stuff me. Mount me." Yeah, he was being a jerk. It's over. He'd rather not remember. And he's never going there again.

Xander's one flaw is a tendency to hector. But again, this tendency makes him human. It isn't so over the top that you start to detest him; it isn't so understated to make Xander too good to be true. I hold Xander more responsible than Willow for the whole Xander-Willow fiasco (Season 3). Yes, yes, I know that in general terms, they are equally to blame, but Xander has a tendency to take a situation and run with it. It's a type of me-me reaction that accompanies hectoring. It's, well, it's so 16-year-old guy.

And yet, this is also the Xander who buys Cordelia's dress without telling anyone. He always protects Willow (watch the show carefully to see how often Xander puts Willow before everyone else). Also, as I've stated elsewhere, I believe Xander is the only one who really understands how lonely Buffy really is (here Xander stands in for Joss).

Lastly, Xander is just funny; Nicholas Brendon has excellent comedic timing. In my favorite episode of Season 2 "I Only Have Eyes For You," Willow makes scapulars for everyone. Xander responds by saying, "And what are we going to do when we find the spirit, Will? Flip it?"

Ohmigosh, I'm laughing so hard, I can barely write.

Okay, so maybe you have to be an English teacher to think the transposition of the words scapular and spatula is just hilarious, but my point is, the joke works to a large extent because Nicholas Brendon makes it work. It's one of those word jokes that are easily lost until you've watched a movie a couple of dozen times (like the "Moby Dick" joke in Finding Nemo--yep, really, it's there). There's lots of those jokes in Buffy, and the ability of Whedon's cast to deliver said jokes deadpan is a huge part, I believe, of Buffy's success.

So kudos once again to the first three seasons of Buffy and extra kudos to Nicholas Brendon's Xander.

Television